Title sponsor Mercedes-Benz is joined by DHL, American Express, TRESemme, Smashbox Cosmetics, Ipanema, The Raleigh, Ocean Drive Magazine and Getty Images. Miami is the only city in the world where the sexiness of the Collections on the runway is paralleled by what you see on the streets and around town," says Stephanie Zimmer, Manager of Brand Experience Marketing for Mercedes-Benz USA. "Mercedes-Benz Fashion Week Swim has a longstanding reputation as one of the summer's can't-miss events. Mercedes-Benz Fashion Week Swim will also present the following designers: AGUA BENDITA, POKO PANO, DOLORES CORTES, WILDFOX SWIM, BEACH BUNNY, NICOLITA, AQUA DI LARA, MARA HOFFMAN SWIM, VIX SWIMWEAR, CIA.MARITIMA, BCBGMAXAZRIAGROUP, GOTTEX, OAKLEY, L*SPACE BY MONICA WISE, A.Z ARAUJO, LULI FAMA, CAFFE SWIMWEAR, MAAJI SWIMWEAR, SAUVAGE, ZINGARA SWIMWEAR, 6 SHORE ROAD, A.CHE SWIMWEAR, AGUACLARA, AQUARELLA SWIMWEAR, CAITLIN KELLY SWIMWEAR and MINIMALE ANIMALE. The Raleigh pool deck will transform into a surf oasis, as the iconic brand celebrates 25 years as an industry leader. Commencing the week will be a special Kick-Off Event celebrating 25 years of ROXY with ROXY Pop Surf. IMG Fashion announced today the preliminary list of designer who will be presenting their latest Collections. Mercedes-Benz Fashion Week Swim will heat up the sands of The Raleigh Hotel with five days of designer runway shows, presentations and parties on July 18-22, 2013. Similar to his recent installation Trail (2016), recently shown at the Dortmunder Kunstverein, these works project a vision of alienation that links the virtual and material worlds in which we navigate.New York, NY (May 31,2013) South Beach will once again come alive this July, as the swimwear industry's most highly anticipated event returns for the ninth year. This edition follows an inner logic characteristic of Zach’s work, who often uses installations to establish a context for interrelated serial artworks where various approaches get pol- luted, coherencies broken and categories perpetually overwritten. In _DSC5824 (2016) various objects, including a shoe by the French brand of ergonomic footwear Mephisto, a Zapper (a device to stop insect bites from itching by emitting electric shocks to the affected tissue) and a camping spoon, have been added into a landscape with flaccid plants to compose a contemporary still life. In Snake (2016) various black and white lines have been digitally drawn onto the photograph recalling the early homonymous computer game in which a player navigates a line to catch a pixel in order to grow longer and longer thus becoming an obstacle to itself and eventually ending the game when the snake bites into its own tail. and 2016, Siegfried Schmitt, Eef Overgaauw, Nicol Frtig and colleagues of the Hand- schriftenabteilung der Staatsbibliothek zu Berlin Preuischer. This edition by Phillip Zach consists of two fine art prints on archival Sihl Aquarella paper of digital photographs showing steep sandy hillsides, both involving modifications at different points in their production. His inflatable sculptures first used tropes of global spectacle culture such as circus tents, portapotties and stadium seating, and later developed into blunt representations of airplanes and pilots as both stewards of globalization and highly symbolic representations of a crash. These prints continue themes that Langan-Peck has explored in several previous works about the economy of mobility. This second mask introduces a kind of subjectivity – an observer through which the images must be mediated. The silk-screened layer obscures parts of these scenes with silhouetted figures that pace through and point out of the frame. Place: Hansabrücke 10117, Berlin, Germany Date: from Friday to Saturday Time: 8:00 p.m. They depict a man in a hat, a messy room and a dark street suggesting a subdued kind of desolation. Come on an evening cruise and get to know Berlin from this perspective as well. The photographs are masked in the shape of airplane windows – the jet is taken as a vehicle of global aspiration but also as representative of newsworthy violence in the form of various plane mishaps and disappearances. This edition by Matthew Langan-Peck consists of three photographs taken by the artist that are overlaid with hand-screened silhouettes.
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